LuiGiPT_Day 15

Here is today’s brief:

  • Title: Tension Object
  • Theme: Visible stress. Mechanical tension captured at the exact moment before rupture.
  • Object: Table clock.
  • Constraints:
    • Rigid rectangular case, no curves • The object appears mechanically stretched or pulled in two opposite directions.
    • The clock mechanism remains functional and legible despite deformation.
    • No symbolic decoration. Tension is expressed solely through form and structure.
    • Materials limited to brushed steel, glass, and one contrasting industrial material.
    • Design must be manufacturable using existing watchmaking and industrial techniques.
  • Deliverable:
    Two perspective sketches of the object.
    One exploded sketch showing how the tension is structurally resolved.

You can watch the video on Youtube here:

Talk.Swiss Video

𝗗’𝗼𝘂 𝘃𝗶𝗲𝗻𝘁 𝘂𝗻𝗲 𝗶𝗱𝗲𝗲 ?

Comment une intuition devient-elle un dessin ?
Et comment ce dessin devient-il un produit qui raconte une histoire ?

Lors d’une formation de prise de parole chez TALK.SWISS, j’ai travaillé sur ce pitch autour de mon approche du design.

𝗗𝗲𝘀𝗶𝗴𝗻𝗲𝗿 𝗱𝗲𝗽𝘂𝗶𝘀 𝗽𝗹𝘂𝘀 𝗱𝗲 𝟮𝟬 𝗮𝗻𝘀, je conçois des objets, des montres et des univers visuels en cherchant toujours le même équilibre :
𝗶𝗱𝗲𝗻𝘁𝗶𝘁𝗲 𝗱𝗲 𝗺𝗮𝗿𝗾𝘂𝗲, 𝗲𝘀𝘁𝗵𝗲𝘁𝗶𝗾𝘂𝗲 𝗲𝘁 𝗱𝗲𝘀𝗶𝗿 — 𝘁𝗼𝘂𝗷𝗼𝘂𝗿𝘀 𝗮𝘃𝗲𝗰 𝘂𝗻 𝘁𝘄𝗶𝘀𝘁.

En 90 secondes, je vous explique comment je transforme une idée en pièce qui peut devenir une star.

𝗗𝗲𝗿𝗿𝗶𝗲𝗿𝗲 𝗰𝗵𝗮𝗾𝘂𝗲 𝗽𝗿𝗼𝗱𝘂𝗶𝘁 𝗺𝗮𝗿𝗾𝘂𝗮𝗻𝘁, 𝗶𝗹 𝘆 𝗮 𝘂𝗻𝗲 𝗶𝗱𝗲𝗲 𝗳𝗼𝗿𝘁𝗲.
𝗔𝗹𝗹𝗼𝗻𝘀 𝗹𝗮 𝗰𝗵𝗲𝗿𝗰𝗵𝗲𝗿 𝗲𝗻𝘀𝗲𝗺𝗯𝗹𝗲.



English below

𝗪𝗵𝗲𝗿𝗲 𝗱𝗼𝗲𝘀 𝗮𝗻 𝗶𝗱𝗲𝗮 𝗰𝗼𝗺𝗲 𝗳𝗿𝗼𝗺?

How does an intuition become a sketch?
And how does that sketch turn into a product that tells a story?

During a public speaking training with TALK.SWISS, I developed this pitch to present my approach to design.

𝗔 𝗱𝗲𝘀𝗶𝗴𝗻𝗲𝗿 𝗳𝗼𝗿 𝗺𝗼𝗿𝗲 𝘁𝗵𝗮𝗻 𝟮𝟬 𝘆𝗲𝗮𝗿𝘀, I’ve been creating objects, watches and visual universes while always searching for the same balance:
𝗯𝗿𝗮𝗻𝗱 𝗶𝗱𝗲𝗻𝘁𝗶𝘁𝘆, 𝗮𝗲𝘀𝘁𝗵𝗲𝘁𝗶𝗰𝘀 𝗮𝗻𝗱 𝗱𝗲𝘀𝗶𝗿𝗮𝗯𝗶𝗹𝗶𝘁𝘆 — 𝗮𝗹𝘄𝗮𝘆𝘀 𝘄𝗶𝘁𝗵 𝗮 𝘁𝘄𝗶𝘀𝘁.

In this short video, I explain how I transform an idea into a piece that can become a star.

𝗕𝗲𝗵𝗶𝗻𝗱 𝗲𝘃𝗲𝗿𝘆 𝗿𝗲𝗺𝗮𝗿𝗸𝗮𝗯𝗹𝗲 𝗽𝗿𝗼𝗱𝘂𝗰𝘁, 𝘁𝗵𝗲𝗿𝗲 𝗶𝘀 𝗮 𝘀𝘁𝗿𝗼𝗻𝗴 𝗶𝗱𝗲𝗮.
𝗟𝗲𝘁’𝘀 𝗴𝗼 𝗳𝗶𝗻𝗱 𝗶𝘁 𝘁𝗼𝗴𝗲𝘁𝗵𝗲𝗿.

Shona Taine

I had the privilege to meet an extraordinary watchmaker – Shona Taine.

I collaborated with her on the design of her first watch, Khemea.

She did most of the complication herself, by hand…

At only 26 years old, I’m pretty sure she’ll definitely become an influent creator.

Here’s a wonderful picture of her watch.
You can find the design study I did by clicking on the image.

LuiGiPT_Day 14

Here is today’s brief:

  • Title: Residual Tension
  • Theme: Permanent deformation as evidence of use, stress, and time. The object must appear stabilized but never neutral, as if frozen mid-constraint.
  • Object: Table clock or desk time object.
  • Constraints:
    • Volume derived from a single block that has been compressed, bent, or twisted.
    • No visible fasteners or articulated parts.
    • Time display must follow the deformation (curved axis, offset plane, distorted alignment).
    • Two materials maximum: one rigid, one soft or ductile.
    • Overall footprint compatible with a desk object.
  • Deliverable:
    Three sketches on one page:
  • 1. Initial pure volume before deformation.
  • 2. Deformed volume showing applied force.
  • 3. Final object with integrated time display and material indication.

You can watch the video on Youtube here:

LuiGiPT_Day 13

Here is today’s brief:

  • Title: Mute Time
  • Theme: Time is present but deliberately inaccessible. Refusal of legibility. Control through absence.
  • Object: Conceptual wristwatch or portable horological object.
  • Constraints:
    • The dial is completely closed or obscured.
    • No direct opening onto the mechanism.
    • Time is perceived only through thickness, mass, or material temperature.
    • One main material only. Surface treatments allowed.
    • The object must remain credible as a manufacturable product.
  • Deliverable:
    Three distinct concepts.
    For each concept:
  • – One front-view sketch.
  • – One side-view sketch.
  • – One schematic section explaining where “time” is supposed to reside.

You can watch the video on Youtube here:

LuiGiPT_Day 12

Here is today’s brief:

  • Title: Residual Time
  • Theme: What remains after function is removed. Time as a structural residue rather than a readable measure.
  • Object: Table watch or desk object related to horology, not wearable.
  • Constraints:
    • No hands, no numerals, no digital display.
    • Time must be suggested through volume, void, layering, or material tension.
    • One dominant material only.
    • Maximum three distinct components.
    • The object must still imply precision, not abstraction for its own sake.
  • Deliverable: Four fast sketches.
  • Each sketch explores a different way to express time without indication:
  • 1. Through erosion or subtraction.
  • 2. Through compression or stacking.
  • 3. Through imbalance or offset.
  • 4. Through enclosure or obstruction.

You can watch the video on Youtube here:

LuiGiPT_Day 11

Here is today’s brief:

  • Title: Silent Authority
  • Theme: Luxury as restraint. Power expressed through controlled absence rather than accumulation.
  • Object: A high-end watch, jewel, or ceremonial object conceived as an emblem of authority without ornament.
  • Constraints:
    • Overall form must be immediately legible at a distance.
    • Maximum two materials.
    • No visible branding, no symbols, no inscriptions.
    • Surfaces must alternate between one matte and one polished treatment only.
    • Proportions must suggest permanence and weight, even at small scale.
  • Deliverable: Two refined sketches and one schematic elevation. Each must demonstrate how authority is conveyed through proportion, mass distribution, and surface tension alone.

You can watch the video on Youtube here:

LuiGiPT_Day 10

Here is today’s brief:

  • Title: Silent Authority
  • Theme: Luxury as restraint. Power expressed through controlled absence rather than accumulation.
  • Object: A high-end watch, jewel, or ceremonial object conceived as an emblem of authority without ornament.
  • Constraints:
    • Overall form must be immediately legible at a distance.
    • Maximum two materials.
    • No visible branding, no symbols, no inscriptions.
    • Surfaces must alternate between one matte and one polished treatment only.
    • Proportions must suggest permanence and weight, even at small scale.
  • Deliverable: Two refined sketches and one schematic elevation. Each must demonstrate how authority is conveyed through proportion, mass distribution, and surface tension alone.

You can watch the video on Youtube here:

LuiGiPT_Day 9

Here is today’s brief:

  • Title: Off-Balance Core
  • Theme: Asymmetry as structural intelligence. Stability produced by displacement.
  • Object: A timepiece, jewel, or small functional object built around a single dominant mass shifted away from the center.
  • Constraints:
    • One main volume only.
    • The center of gravity must be visibly offset.
    • No decorative details.
    • Construction must appear physically plausible.
    • Use only line, shadow, and solid fill. No textures.
  • Deliverable: Three sketches isolating three different off-center configurations: lateral shift, vertical shift, rotational shift. Each sketch must express how balance is maintained despite displacement.

You can watch the video on Youtube here:

LuiGiPT_Day 8

Here is today’s brief:

  • Title: Asymmetry as Control
  • Theme: Off-centre balance. Use asymmetry as a deliberate structural decision, not as decoration.
  • Object: A timekeeping object or wearable artefact where the main functional mass is displaced from the central axis.
  • Constraints:
    • One dominant volume only.
    • The centre of gravity must be visibly shifted.
    • No ornamental details. No textures. Pure form.
    • The object must still appear stable and usable.
    • Black ink or graphite only.
  • Deliverable: Three sketches.
  • Each sketch isolates a different strategy of imbalance:
    • Mass displacement
    • Void displacement
    • Structural tension
      Annotations limited to functional intent and force direction.

You can watch the video on Youtube here: